Geoffrey Alan Rhodes
http://www.garhodes.com/
http://tesseractfilm.com/ Película
Tesseract
Tesseract draws a line between photographer Eadweard Muybridge's obsession with photographing movement and his act of jealous murder in 1873.
Muybridge's life and work became a fracturing of time where duration is sliced, mechanized, and stopped from flowing - this was a temporal insanity that led to cinema itself: the re-animation of the frozen image.
Muybridge's form, a spatial layout of time, is used here in film. The screen is split into panels, a moving photographic layout, fracturing our perspective of time, and the narrative of Muybridge's life.
tes·ser·act : a four dimensional cinema-cube stretching through time.
Eadweard Muybridge: The Gates of Time
This composite image was created using media generated in the process of making the film "Tesseract." In the animation sequences, I used over 2,000 original images, photographed by Eadweard Muybridge in the 1880's. While editing the film, I would leave my laptop running, letting Photoshop try to make panoramas out of these images. With some tinkering, I got the software to create crystalline like structures. Their distorted, associative structures remind me of memory, and their contortions evoke for me the stresses of completing this meticulous film.
40" X 30" : Photographic paladium print
Steven Pippin
http://www.mrpippin.co.uk/
Douglas Gordon
Tesseract
Tesseract draws a line between photographer Eadweard Muybridge's obsession with photographing movement and his act of jealous murder in 1873.
Muybridge's life and work became a fracturing of time where duration is sliced, mechanized, and stopped from flowing - this was a temporal insanity that led to cinema itself: the re-animation of the frozen image.
Muybridge's form, a spatial layout of time, is used here in film. The screen is split into panels, a moving photographic layout, fracturing our perspective of time, and the narrative of Muybridge's life.
tes·ser·act : a four dimensional cinema-cube stretching through time.
Eadweard Muybridge: The Gates of Time
This composite image was created using media generated in the process of making the film "Tesseract." In the animation sequences, I used over 2,000 original images, photographed by Eadweard Muybridge in the 1880's. While editing the film, I would leave my laptop running, letting Photoshop try to make panoramas out of these images. With some tinkering, I got the software to create crystalline like structures. Their distorted, associative structures remind me of memory, and their contortions evoke for me the stresses of completing this meticulous film.
40" X 30" : Photographic paladium print
Steven Pippin
http://www.mrpippin.co.uk/
Michel Wesely
Douglas Gordon
http://www.tate.org.uk/britain/exhibitions/douglasgordon/default.shtm
Douglas-Gordon-Self-Portrait-of-You-+-Me-Jayne-Mansfield-2007.
http://www.calcego.com/es/obres.asp?art=54
24 Hour Psycho -1993
El exorcista (The exorcist, 1973) de William Friedkin, y Le Chant de Bernadette (The Song of Bernadette, 1943) de Henry King
5 Year Drive by
Douglas-Gordon-Self-Portrait-of-You-+-Me-Jayne-Mansfield-2007.
http://www.calcego.com/es/obres.asp?art=54
24 Hour Psycho -1993
A partir de Psicosis (Psycho, 1960) de Alfred Hitchcock
Between Darkness and light (after William Blake)
El exorcista (The exorcist, 1973) de William Friedkin, y Le Chant de Bernadette (The Song of Bernadette, 1943) de Henry King
5 Year Drive by
El Prisionero del desierto (The Searchers, 1956) de John Ford
http://www.fundaciomiro-bcn.org/buscador.php?idioma=6
http://www.fundaciomiro-bcn.org/buscador.php?idioma=6
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